Δ-ΤΕ-ΙΣΘΕΤΑ 010 σημειώσεις καλλιτεχνικής θεωρίας από το Hogarth στο Hockney

χειμερινό εξάμηνο 2018-2019

διδάσκουσα: Ασημίνα Κανιάρη

σημειώσεις Εμμανουήλ Νίνου

9ο μάθημα  17 Δεκεμβρίου 2018

ILYA KABAKOV &   EMILIA KABAKOV

The Deserted School or School # 6

Conduit is a small copper gargoyle fashioned to conform to the shape of a woman's body; it becomes a sculptural device that allows Janine Antoni to urinate standing up

Maurizio Cattelan

Spermini, 1997

Masques en latex peints

Dimensions variables

Collection Fondation Louis Vuitton, Paris

How To Shop by Bobby Baker

7.027 προβολές

Bobby Baker (born 1950, Kent) is a multi-disciplinary artist and activist working across performance, drawing and multi-media.

She was awarded an Honorary Doctorate by Queen Mary University London in 2011. 

 Daily Life Ltd is an arts organisation that produces the work of Baker and others. Together they create powerful art that investigates and questions the way people think about feminism, daily life and mental health.

3 χαρακτικά έργα τροφίμων ψυχιατρικού ιδρύματος

που έδειξε στην παρουσίασή του 

ο μεταπτυχιακός φοιτητής ΑΣΚΤ ΜΕΤ

Ευριπίδης Παπαδοπετράκης

5ο μάθημα  19 Νοεμβρίου 2018

Tate Papers ISSN 1753-9854

Francis Bacon: Back to Degas Rothenstein Lecture 2011

Martin Hammer

Edgar Degas

Richard Hamilton

Just what is it that makes today’s homes so different?

1992

Thomas Hirschhorn: DE-PIXELATION

Thomas Hirschhorn  a world of collage video

Francis Bacon: Invisible Rooms

Battleship Potemkin | 1925, silent, full film, high quality

Battleship Potemkin | USSR | One of the most influential propaganda films of all time. Set in June 1905, the protagonists of the film are the members of the crew of the Potemkin, a battleship of the Imperial Russian Navy's Black Sea Fleet. Directed by Sergei Eisenstein; Produced by Jacob Bliokh; Starring Aleksandr Antonov, Vladimir Barksy, Grigori Aleksandrov.

Mickey Mouse - The Haunted House (1929)

a Walt Disney comic by Ub Iwerks

Maria Lassnig

εκφραστική αυτοπροσωπογραφία

1945

Maria Lassnig's 'body house' explored at Tate Liverpool

4ο μάθημα  12 Νοεμβρίου 2018

Madonna del Prato 1506 

 Raphael

Bruce Nauman 1996.036 (5011) Lip Sync, 1969. Crédito: IVAM, Institut Valencià d' Art Modern, Generalitat.

David Hockney
iPad drawing No 2
 The Arrival of Spring in Woldgate, East Yorkshire 2011

ο Ηόκνι ξαναγύρισε στην πατρίδα του τη ν Αγγλία και μένει τώρα τον περισσότερο καιρό στο   Bridlington,της κομητείας Yorkshire,

και ζωγραφίζει στην εξοχή χρησιμοποιώντας το ipad του

David Hockney landscapes: The wold is not enough

Les Rogers

So Much Depends Πηγή: www.lifo.gr

So much depends

Henri Matisse

cut-out

The Snail  1953

The Hat Makes the Man (1920) is a collage by the German dadaist/surrealist

 Max Ernst 
 
 is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting nervous system also tightly fitting nerves! (the hat makes the man) (style is the tailor)."
The idea for this work began as a sculpture made from wooden hat molds.
Ernst was an important figure in the Dada movement, which often criticized the tastes of mainstream culture and depicted modern man as a conformist automaton..

Ascot Racecourse 
 in Ascot, Berkshire, England, which is used for thoroughbred horse racing. It is one of the leading racecourses in the United Kingdom, hosting 13 of Britain's 36 annual Group 1 horse races.
The course, owned by Ascot Racecourse Ltd,^[1] enjoys close associations with the British Royal Family, being approximately 6 miles (9.7 km) from Windsor Castle.

Le Déjeuner sur l'herbe 

( The Luncheon on the Grass) – originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863.

Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy.

Inspirations

As with the later Olympia (1863) and other works, Manet's composition reveals his study of the old masters, as the disposition of the main figures is derived from Marcantonio Raimondi's engraving The Judgment of Paris (c. 1515) after a drawing by Raphael.^[7] Raphael was an artist revered by the conservative members of the Académie des Beaux-Arts and his paintings were part of the teaching programme at the École des Beaux-Arts, where copies of fifty-two images from his most celebrated frescoes were permanently on display. Le Bain (an early title for Le Déjeuner sur l’herbe) was therefore, in many ways, a defiant painting. Manet was cheekily reworking Raphael, turning a mythological scene from one of the most celebrated engravings of the Renaissance into a tableau of somewhat vulgar Parisian holidaymakers.

• 

  Judgement of Paris Engraving (ca. 1515) by Marcantonio Raimondi to a design by Raphael
• 

  The Pastoral Concert (ca. 1510) by Giorgione or Titian, Louvre, Paris, cited as an inspiration for Manet's painting
• 

  Giorgione,  
  The Tempest (c. 1508), Gallerie dell'Accademia, Venice, Italy
• 

  Antoine Watteau,  
  La Partie Carrée, (c. 1713)

Scholars also cite two works as important precedents for Manet's painting Le Déjeuner sur l'herbe: The Pastoral Concert by Giorgione or possibly Titian (in the Louvre) and Giorgione's The Tempest, both of which are famous Renaissance paintings.  The Tempest, which also features a fully dressed man and a nude woman in a rural setting, offers an important precedent for Manet's painting Le Déjeuner sur l'herbe.  Pastoral Concert even more closely resembles Le Déjeuner sur l'herbe, as it features two dressed men seated in a rural setting, with two undressed women. Pastoral Concert is in the collection of the Louvre in Paris and is likely, therefore, to have been studied by Manet.
According to Proust, he and Manet had been lounging by the Seine as they spotted a woman bathing in the river. This prompted Manet to say, "I copied Giorgione’s women, the women with musicians. It’s black that painting. The ground has come through. I want to redo it and do it with a transparent atmosphere with people like those we see over there."
There may be a connection between Le Déjeuner sur l’herbe and the work of Jean Antoine Watteau.  Manet’s original title, Le Bain, initially drew the main attention to the woman near the water. This bathing figure alone is quite similar to the figure in Watteau’s Le Villageoise, as both women crouch or lean over near water, simultaneously holding up their skirts. It’s possible that Manet adapted this pose, which is more clearly seen in a sketch of his years before his creation of Le Déjeuner sur l’herbe.

δες επίσης

panel 55 Mnemosyne atlas 
Aby Warburg

Frank Stella

Les Indes Galantes IV

 Concentric Squares 

1972

The Barque of Dante ( La Barque de Dante), sometimes known as Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting  by

Eugène Delacroix,

 and one of the works signalling a shift in the character of narrative painting from  

Neo-Classicism towards the Romantic movement. 

1822

The Raft of the Medusa 

Le Radeau de la Méduse 

 1818–19 

Théodore Géricault

Thomas Struth (b. 1954) 

Muse du Louvre 4, Paris 1989

Margit Busch

Geboren 1964 in Tübingen / DE, lebt und arbeitet in Tübingen und Wien / DE / AT
Ausbildung
Universität für Angewandte Kunst (Virgil Widrich / Art & Science), Master 2016
Universität Bremen, Biologie Diplom
 Kraftfahrzeugschlosserlehre, Berlin

David Hockney 

on selfies:

 'People have a deep desire to make pictures'

David Hockney’s Improbable Inspirations

Explore the 250th Royal Academy Summer Exhibition with
Grayson Perry RA,
 who led a committee of fellow artists and architects in selecting and hanging this year’s show.

Begun in 1924 and left unfinished at the time of his death in 1929, the Mnemosyne Atlas is Aby Warburg’s attempt to map the “afterlife of antiquity,”

3ο μάθημα  22 Οκτωβρίου 2018

σύγκριση του κύματος του Μπουγκερώ

&

τωφν λουομένων του Σεζάν

Το κύμα

William-Adolphe Bouguereau

• Original Title: La Vague
• Date: 1896
• Style: Neoclassicism
• Genre: nude painting (nu)
• Media: oil, canvas
• Tag: female-nude
• Location: Private Collection
• Dimensions: 121 x 160.5 cm

Les Grandes Baigneuses

οι μεγάλοι λουόμενοι

Artist	Paul Cézanne
Year	1898–1905
Medium	Oil-on-canvas
Dimensions	210.5 cm × 250.8 cm
Location	Philadelphia Museum of Art, Philadelphia, United States

Mπουγκερώ

απομόνωση της μορφής από τον περιβάλλοντα χώρο

παράλογη αναπαράσταση

τελικά δεν είναι τρεαλιστική

ζωγραφική, στολίδι του αστικού σπιτιού

υπόκειται στους κανόνες του ακαδημαϊσμού

ψευδαίσθηση

Σεζάν

αίσθηση του χρώματος πάνω στον καμβά

ο πίνακας "επεκτείνεται" στο χώρο του θεατή

δεν είναι ψευδαίσθηση

είναι ένα πράγμα

η ζωγραφική των μέσων ως πραγματικότητα

ανατροπή των ακασδημαϊκών κανόνων

Bridget Riley: Learning from Seurat

 Dr Karen Serres discusses the work of Bridget Riley, one of the leading artists of her generation, and how Riley’s early seminal encounter with a single painting by Seurat has profoundly shaped her artistic development.

R. B. Kitaj on Paul Cézanne's 'Bathers' | Artists | The National Gallery, London

David Hockney – ‘I Like to Live in the Now’ | TateShots

2ο μάθημα  15 Οκτωβρίου 2018

Le Serment des Horacest
Jacques-Louis David
The only emotion shown is from the women, who were allowed to feel, while the men show stoic determination to do their duty

δεν εικονογραφεί την ιστορία
αποδόθηκε με πιστό τρόπο η δράση

David Hockney  [Pace Gallery exhibition 2018]   Something New in Painting (and Photography) [and even Printing]

David Hockney’s Improbable Inspirations   [PARIS REVIEW]

αντίστροφη προοπτική
Hockney’s current reverse-perspective passion
the task of painting is not to duplicate reality, but to give the most profound penetration … of its meaning.
empathizing with reality
pure painting is, or at least wants to be true to life ΝΟΤ a deception

Fra Angelico  
Annunciation (c. 1430)
 tapering one-point perspective
οξύληκτος προοπτική ενός σημείου
η δεύτερη σκηνή στην  predella με αντίστροφη προοπτική

Alexander Cozens

The Cloud

c.1770

πειραματισμοί

Mark Dion "Landfill"
1999
cluttered sculpture
τοπίο μετά την ανθρώπινη παρέμβαση

Mark Dion, Landfill




Suzanne Anker
Astroculture
2010, Inkjet print, 24×36″

Charles Le Brun (1619-1690)

 Le Sacrifice d’Abraham

Bridget Riley: Learning from Seurat

Dr Karen Serres discusses the work of Bridget Riley, one of the leading artists of her generation, and how Riley’s early seminal encounter with a single painting by Seurat has profoundly shaped her artistic development.


Henri Matisse,
 “Notes of a Painter” (1908) pdf


David Hockney A bigger picture
exhibtion
&
Hockney's video

Ohne Titel, 1994
Galerie von Vertes
Sigmar Polke 
(13 February 1941 – 10 June 2010)
 was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products.
εκφραστικότητα υλικού
προϊόντα μαζικής κουλτούρας
μύθοι του μοντερνισμού

David Hockney
η κίνηση που αναταράσσει το τοπίο

Tate Modern Exhibition

A Bigger Splash: Painting after Performance

david hockney

 14 November 2012 – 1 April 2013

η ζωγραφική ως χειρονομία
διευρύνει το χρόνο
δεν καταγράφει πράγματα